Monday, February 25, 2013
Are you a scholar of early modern English, or do you
facilitate projects that involve Renaissance English literature? Do you want to
learn more about current work in digital humanities or need to consider your
next steps in developing your approach?
In July 2013, the Folger Institute will offer "Early
Modern Digital Agendas" under the direction of Jonathan Hope, Professor of
Literary Linguistics at the University of Strathclyde. It is an NEH-funded,
three-week institute that will explore the robust set of digital tools with
period-specific challenges and limitations that early modern English literary
scholars now have at hand.
"Early Modern Digital Agendas" will create a
forum in which twenty faculty, graduate student, and alt-ac participants can
historicize, theorize, and critically evaluate current and future digital
approaches to early modern literary studies-from EEBO-TCP to advanced corpus
linguistics, semantic searching, and visualization theory-with discussion
growing out of, and feeding back into, their own projects (current and
envisaged).
With the guidance of expert visiting faculty, attention
will be paid to the ways new technologies are shaping the very nature of early
modern research and the means by which humanists interpret texts, teach
students, and present their findings to others.
This institute is supported by an Institutes for Advanced
Topics in the Digital Humanities grant from the National Endowment for the
Humanities´ Office of Digital Humanities.
Eligibility: Faculty, advanced graduate students, and
non-teaching staff (including librarians, administrators, and other alt-ac
people) are welcome to apply. Applicants need not be U.S. citizens. All
admitted participants will receive a stipend of $2,625. All applications must
be submitted by Monday, 4 March 2013.
Please visit http://emdigitalagendas.folger.edu/
for more information.
Questions? Please contact institute@folger.edu.
Best,
Owen Williams, Ph.D.
Assistant Director
The Folger Institute
Folger Shakespeare Library
201 East Capitol Street, SE
Washington, DC 20003-1094
202 675 0352
Becoming Global
The Renaissance Studies Program at the CUNY Graduate
Center is hosting a conference "Becoming Global: The Renaissance and The
World," to take place March 14-15, 2013.
The keynote lecture by Serge Gruzinksi will take place on Thursday,
March 14 at 7:30 PM in the Proshansky
Auditorium, and Friday sessions will be in the Elebash
Recital Hall.
For more information, and to register, please see the
website:
British Milton Seminar, 9 March 2013: Revised programme
Please see below for a slightly revised version of the
BMS programme for 9 March 2013. Sara van den Berg (Saint Louis University), due
to speak on ‘The Uses of Milton’s Arguments in 18th- and 19th-Century Divorce’,
has unfortunately been forced to withdraw. Hugh Adlington will speak in her
place.
BMS 47: revised programme
Saturday 9 March 2013
Venue: In the Birmingham and Midland Institute. There
will be two sessions, from 11.00 am to 12.30 pm and from 2.00 pm to 4.00 pm
Programme:
11.00-12.30
Hugh Adlington (Birmingham), ‘“All that follows to p.50
very indifferent”: Richard Hurd reads Milton, 1751-1800’;
Edmund C. White (Oxford), ‘From “fides et mores” to
“faith or ma[n]ners”: Areopagitica and the Counter-Reformation Hermeneutics of
Christian Practice’.
2.00-4.00
Margaret Kean (Oxford), ‘Standing up for early Milton’;
Colin Lahive (University College Cork), ‘Romance in
Paradise Lost’.
~
The Birmingham and Midland Institute (BMI) was founded by
Act of Parliament in 1854, for ‘the Diffusion and Advancement of Science,
Literature and Art amongst all Classes of Persons resident in Birmingham and
the Midland Counties,’ and continues to pursue these aims. The BMI is located in the heart of
Birmingham’s city centre, just a few minutes’ walk from Birmingham New Street,
Snow Hill and Moor Street railway stations:
Birmingham and Midland Institute
Margaret Street
Birmingham B3 3BS
Please follow this link for a map of the BMI’s location,
and for further information about the BMI and its
Library:http://bmi.org.uk/location.html
For further information about the British Milton Seminar,
please contact either:
Or sign up for email alerts about the British Milton
Seminar at:http://britishmiltonseminar.wordpress.com/.
Thomas N. Corns and Hugh Adlington (Co-convenors)
Wednesday, February 20, 2013
Phd studentship
Adapting the Early Modern
School of Humanities, Faculty of Art, Design and
Humanities, De Montfort University, Leicester
STARTING OCTOBER 2013
A PhD research studentship covering stipend and tuition
fee costs is offered for a project that combines early modern literary or
theatrical research with recent work on cultural adaptation. Working within the
School's Centre for Textual Studies and Centre for Adaptations, the student
could explore such areas as how the editing of Shakespeare's works necessarily
adapts them for new readers, how Renaissance theatre is represented in
films--from the Globe in Laurence Olivier's Henry V (1944) to the Curtain in
John Madden's Shakespeare in Love (1998)--or how film portrayals of early
modern dramatists such as Christopher Marlowe, Ben Jonson and John Webster
engage with early modern, modern or postmodern notions of creativity. There is
plenty of scope for the project to explore broader concerns of early modern
authorship, publication and adaptation.
The Centre for Textual Studies and the Centre for
Adaptations are integral to the research culture of the School of Humanities
and while consisting largely of colleagues working in the subject area of
English, staff also include scholars in Media, Film Studies, Drama and
Technology. The two centres are internationally renowned and united by their
concern with what happens to literary writing after it moves beyond the control
of the originating author.
Both centres have an established tradition of
interdisciplinary research with externally funded international collaborations.
They are home to approximately 20 research students
working on such topics as the Shakespearean star actor on film, Othello on
screen, adapting Shakespeare for young children, printing and editing in the
early modern period, Shakespeare's fairy stories, the early modern book trade,
and the histories and repertories of acting companies. The successful candidate
for this studentship will become part of a highly active community of
career-young scholars working on similar projects within a vibrant research
culture. Research in the subject area of English at De Montfort University was
ranked joint-ninth with English at Cambridge University in the 2008 Research
Assessment Exercise (RAE).
For a more detailed description of the studentship
project please visit our web site or contact Prof Gabriel Egan on +44
(0)116 25 77158 or emailgegan@dmu.ac.uk
This research opportunity builds on our excellent past
achievements and, looking forward to REF2014 and beyond, it will develop the
university's research capacity into new and evolving areas of study, enhancing
DMU's national and international research partnerships.
Applications are invited from UK or EU students with a
good first degree (First, 2:1 or equivalent) in a relevant subject.
Doctoral scholarships are available for up to three years
full-time study starting October 2013 and provide a bursary of 13,770 GBP/pa in
addition to university tuition fees.
To receive an application pack, please contact the
Graduate School Office via email atresearchstudents@dmu.ac.uk Completed applications should be returned
together with two supporting references.
Please quote ref:
DMU Research Scholarships 2013
CLOSING DATE:
Friday 15th March 2013
6-7 SEPTEMBER 2013 - PLACE AND PREACHING
THE WREN SUITE, ST PAUL'S CATHEDRAL, LONDON
Sponsored by the AHRC in its support of The Oxford Edition of the Sermons of John Donne, this is a conference which will reassess the 'place' of preaching in Early Modern Europe in all its aspects.
Plenary Lecture: Brian Cummings (York)
Confirmed Speakers: Hugh Adlington (Birmingham); David Colclough (Queen Mary); Joshua Eckhardt (Virginia Commonwealth); Katrin Ettenhuber (Cambridge); Lori Anne Ferrell (Claremont); Kenneth Fincham (Kent); Erica Longfellow (Oxford); Mary Ann Lund (Leicester); Peter McCullough (Oxford); Charlotte Methuen (Glasgow); Mary Morrissey (Reading); Jean-Louis Quantin (Sorbonne); Emma Rhatigan (Sheffield); Andrew Spicer (Oxford Brookes); Sebastiaan Verweij (Oxford); Philip West (Oxford)
All further conference details – including graduate bursaries to attend the conference - and information on booking will be posted on this site later: http://www.cems-oxford.org/donne
Call for Papers
The organisers welcome proposals (250-500 word abstracts) for further papers on any of the following aspects of sermon culture in Early Modern Europe: Roman Catholic preaching; architectural settings and auditories of preaching; sermons in manuscript and print; performance and delivery; sermon hearing, note taking, and commonplacing; production and reception of patristic and other theological works; rhetoric; and more.
Please send your proposals to Professor Peter McCullough and Dr Sebastiaan Verweij: peter.mccullough@lincoln.ox.ac.uk / sebastiaan.verweij@ell.ox.ac.uk
SUBMISSION DEADLINE: 1 MAY 2013
Sponsored by the AHRC in its support of The Oxford Edition of the Sermons of John Donne, this is a conference which will reassess the 'place' of preaching in Early Modern Europe in all its aspects.
Plenary Lecture: Brian Cummings (York)
Confirmed Speakers: Hugh Adlington (Birmingham); David Colclough (Queen Mary); Joshua Eckhardt (Virginia Commonwealth); Katrin Ettenhuber (Cambridge); Lori Anne Ferrell (Claremont); Kenneth Fincham (Kent); Erica Longfellow (Oxford); Mary Ann Lund (Leicester); Peter McCullough (Oxford); Charlotte Methuen (Glasgow); Mary Morrissey (Reading); Jean-Louis Quantin (Sorbonne); Emma Rhatigan (Sheffield); Andrew Spicer (Oxford Brookes); Sebastiaan Verweij (Oxford); Philip West (Oxford)
All further conference details – including graduate bursaries to attend the conference - and information on booking will be posted on this site later: http://www.cems-oxford.org/donne
Call for Papers
The organisers welcome proposals (250-500 word abstracts) for further papers on any of the following aspects of sermon culture in Early Modern Europe: Roman Catholic preaching; architectural settings and auditories of preaching; sermons in manuscript and print; performance and delivery; sermon hearing, note taking, and commonplacing; production and reception of patristic and other theological works; rhetoric; and more.
Please send your proposals to Professor Peter McCullough and Dr Sebastiaan Verweij: peter.mccullough@lincoln.ox.ac.uk / sebastiaan.verweij@ell.ox.ac.uk
SUBMISSION DEADLINE: 1 MAY 2013
Tobacco in the Early Modern imagination
An afternoon symposium at Chetham’s Library, Manchester
15 March 2013
12.45 arrival and coffee
1.00
Opening remarks (Jerome de Groot)
1.15
Lauren Working (Durham)
Unnatural Disobedience: Sedition and the Literature of Tobacco in Jacobean England
1.45
Philipp Rössner (Manchester)
Tobacco and Mechanisms of British Imperial Control. The case of Scotland and the Atlantic Economy
2.15 Coffee
2.30
Bruna Gushurst-Moore (Plymouth)
‘Take of Tobacco Leaves Bruised two pound’
3.00
Lucy Munro (Keele)
Keynote
'Joking about Tobacco on the Early Jacobean Stage'
4 end
Details: Jerome.Degroot@manchester.ac.uk
Wednesday, February 13, 2013
Dance!
Reconstructing
Technique – Creating Performance
Engage in key issues in bringing dances of the past to life
at this Dance Study Forum organised by the Dolmetsch Historical Dance Society
on 23 and 24 March at Goldsmith’s, University
of London . With
increasing interest in early modern performance practice, this study day offers
the chance to understand the sources and issues concerning serious dance
scholars.
The keynote presentation on Saturday 23 March is Singing Simpkin and other Bawdy Jigs:
recuperating the Song-and-Dance comedies on the Shakespearean Stage.
Relating to a forthcoming publication, Dr. Roger Clegg (de Montfort University
Drama Department), Lucy Skeaping (broadcaster and early music singer and
performer) with Dr. Anne Daye (TrinityLaban Conservatoire of Music and Dance,
dance researcher) will present new insights into a significant element of the
stage repertoire.
Full details and booking form on www.dhds.org.uk
Tragedie of Cleopatra
UCL Centre for Early Modern Exchanges is delighted to
present
Samuel Daniel’s
2pm,
Sunday 3rd March 2013
The
Great Hall, Goodenough College,
Mecklenburgh Square,
London WC1N 2AB
Booking
is open at http://thetragedieofcleopatra.eventbrite.co.uk
Daniel's tragedy (composed in 1594) was one
of the earliest English plays about Cleopatra, and almost certainly influenced
Shakespeare's Antony and Cleopatra. Its original performances would have
included female actors in country house settings. Our Jacobean-style production
will shed light on female participation in drama in Shakespeare's time, and on
early modern ideas of female heroism. It will also illuminate the history of
perceptions of race; and, since it draws on classical and French sources, the
importance of international influences in shaping the English Renaissance.
To
learn more about the production and to view rehearsal photos,
please
visit: thetragedieofcleopatra.wordpress.com
and
our other social media outlets:
Follow
us on Twitter twitter.com/Cleopatra3March
'Like'
us on Facebook www.facebook.com/TheTragedieOfCleopatra
This event is part of the 'Gained in
Translation' season of the UCL Grand Challenge of Intercultural Interaction. It
is also generously supported by: Oxford Journals: Music and Letters; UCL English Department; UCL European Institute; UCL
Faculty of Arts and Humanities, including FIGS (the Faculty Institute of
Graduate Studies); UCLU Drama Society.
Monday, February 11, 2013
'Printed Image and Decorative Print, 1500-1750'
A one-day colloquium
University
of Reading, 22 March 2013
Speakers include Eric
Kindel, James Mosley, Clare Backhouse and Angela McShane.
The registration fee of £10
includes refreshments and lunch.
For further details, including a full programme and
booking form, please visit Reading University’s Early Modern Research Centre website or
contact Rebecca Bullard on r.bullard@reading.ac.uk.
Wednesday, February 06, 2013
Thomas Browne
Ph.D. studentships - Extended deadline - 15th February
Ph.D. Studentship, University of York: Thomas
Browne’s library and sources (3 years, from September 2013) – an AHRC-funded
studentship
This cross-disciplinary project will create an intellectual
map of the library of Thomas Browne by tracing the relationships between his
books as listed in the unusually detailed 1711 sales catalogue, and will
produce an archaeology of Browne’s thought, with attention to the influence of
classical, medieval, and Renaissance sources. It will map the holdings of his
library onto his own work, and make a detailed case-study of at least one of
his book-clusters (in, e.g., medicine, natural philosophy, travel literature,
biblical scholarship, or patristics). The successful applicant will not
necessarily be expected to have advanced knowledge of Browne’s library and
works, but will be expected to offer a preliminary vision of an approach to
Browne’s work in relation to the history of ideas.
The project will re-establish, in
particular, the often- neglected relationship between Browne’s great
encyclopaedic work Pseudodoxia Epidemica (1646) and the books ‘behind’
it. It will have two broad aims, the first relating to the library itself, and
the second a case study in the organisation of knowledge.
Among the ideas that the first
part of the project might consider are: Renaissance classical reception; the
material reconstruction of the past within libraries; taxonomies of library
arrangement; the conceptualisation of early-modern reading through study of
Browne’s catalogue of error (Pseudodoxia); a catalogue with an
intriguing relationship to sources that are deemed to be unreliable or mistaken;
the relationships between books, and the distributions of knowledge, that
inhere in the structures of libraries and catalogues. How are clusters within
Browne’s library related to the intellectual roots of his encyclopaedic
frameworks? How do his books reveal a broader 17th-century
intellectual landscape and his own social, cultural and political milieu? What
can the library teach us about the acquisition and organisation of knowledge in
the period?
The second part of the project
will develop from out of the candidate’s own interests, based on one or more of
Browne’s fields of knowledge. The student will be based at the University
of York in the Department of English and Related Literature, under the
supervision of Dr Kevin Killeen (co-editor of Pseudodoxia within the
Browne edition, together with Prof Will West and Prof Jessica Wolfe) and will
come away from the award with original research that sheds new light on the
intellectual history of the era.
As part of the AHRC-funded edition
of The Complete Works of Sir Thomas Browne (8 vols, OUP 2015-2019;
general editor, Prof Claire Preston), the student will interact extensively
with the eleven editors, two post-doctoral researchers, and a second doctoral
student in contributing to its intellectual, analytical, and textual
framework. The student may be expected to contribute, as directed, to
background research on the edition of Pseudodoxia Epidemica.
Enquiries are welcome. Please
contact either Dr Kevin Killeen (kevin.killeen@york.ac.uk)
or Prof Claire Preston (c.e.preston@bham.ac.uk),
specifying ‘PhD1’.
PhD studentship, University of Birmingham: Thomas
Browne’s Correspondence (3 years, from September 2013) – an AHRC-funded
studentship
The early-modern letter – its generic codes; the material
circumstances of composition, dispatch, receipt, and circulation; the influence
of epistolary habits of thought on other kinds of writing, and especially
literary writing – is a flourishing field, and the edition of Browne’s
correspondence carefully attends to such issues. His large epistolary corpus –
personal, familial, professional, and natural-philosophical letters by and to
him over a long career – give an unparalleled picture of 17th-century
intellectual exchange, and of the development of his ideas and of his other
works. The PhD based in this rich material will be informed by some of the
following questions: how does Browne’s correspondence inform and/or challenge
our understanding of his major works? how did scientific knowledge develop and
circulate through epistolary exchanges in this period? how did the material
conditions and constraints of the letter condition the genesis and
communication of Browne's ideas? The student will benefit from a sustained
engagement with Browne's correspondence; although contributing to the published
volume of correspondence, and to the edition as a whole, the dissertation will
be independent of them. Its precise topic will be developed by the student with
the supervisors, but will demand the development of the student’s
palaeographical and other textual skills. It will consider, too, of the
correspondence of other key figures of the period – for example, Spenser,
Bacon, Boyle, and Oldenburg. The range of incidents, topics, sources, and
correspondents presented by Browne's letters requires command of antiquarian,
medical, geological, botanical, theological, and other discourses. Advances in
archival description and cataloguing, and improvements in humanities computing,
offer in this dynamic field an auspicious moment for a doctoral project with
great interdisciplinary scope and opportunity to master and exploit the full
range of new publication and dissemination technologies in digital humanities.
Co-supervised by Prof Claire
Preston (Birmingham), the general editor of the AHRC-funded Browne edition, and
Dr Andrew Zurcher (Cambridge), co-editor of Browne’s correspondence, the
student will be formally attached to the Birmingham Department of English,
where there is deep editorial and early-modern expertise across the departments
of English and History, and in the vibrant interdisciplinary Centre for
Reformation and Early-Modern Studies. In addition, the student will have
support from the Cambridge Centre for Material Texts (based at the English
Faculty), with its strengths in the study of medieval and early-modern printed
and manuscript materials. As part of the AHRC-funded edition of The Complete
Works of Sir Thomas Browne (8 vols, OUP 2015-2019), the student will
interact extensively with the eleven editors, two post-doctoral researchers,
and a second doctoral student in contributing to its intellectual, analytical,
and textual framework. The student may be expected to contribute, as directed,
to background research on the volume of Browne’s letters that forms part of the
edition.
Enquiries are welcome. Please
contact either Prof Claire Preston (c.e.preston@bham.ac.uk)
or Dr Andrew Zurcher (aez20@cam.ac.uk), specifying ‘PhD2’.
How to apply for either or both studentships:
Applications for these posts should first be made
directly to Professor Preston. The successful candidates will then be asked to
apply formally to the respective universities. If you wish to be considered for
both studentships, you need to send a full application (described below) for
each one. Remember to specify which post your application refers to (PhD1 or
PhD2)
Qualifications: the successful candidate will have a
very good undergraduate degree in English Literature or a closely related
subject such as intellectual history or comparative literature; and normally an
MA or MPhil, preferably in an early-modern literary topic (although relevant
cognate subjects can be considered). If you are already embarked on a PhD we
are unable to consider you for these studentships. Only UK citizens are
eligible.
Application materials (2 hard copies and an electronic
copy):
-- a cv including information about your
undergraduate and MA/M.Phil educational history with degree and exam results,
and any awards; special skills or experience (eg, language proficiency,
relevant undergraduate dissertation or long essay topics, etc); and
publications (if any).
– a covering letter of no more than one A4 side
describing your preparation and qualification for, and interest in, one or both
of these posts.
– two letters of reference, at least one of which should be
from your post-graduate supervisor.
– a sample of academic writing, preferably from your
post-graduate degree, of no more than 3000 words (in other words, a chapter or
section of the MA/MPhil), or a short academic publication.
Submission of material:
The material listed above (hard copies and electronic copy)
is to be sent directly to Professor Preston, Department of English, University
of Birmingham, Edgbaston B15 2TT, and reach her by 15 February, 2013. Candidates
should ask their referees to send their letters directly to that address or to c.e.preston@bham.ac.uk
by the same date. Letters of references will not be sought, so it is
your responsibility to make certain they are sent in time. If you wish, you may
send an SAE with your application so that you can be informed when/whether all
your materials have arrived.
Interviews will be conducted Thursday 28 February in
Edgbaston.
Questions about these posts are welcomed, and can be
directed to Professor Preston by email.
--
Popes and the Papacy in early modern English culture
An interdisciplinary
conference
The
University of Sussex, June 24th – 26th 2013
Confirmed
speakers include Peter Lake, Susannah Monta and Alison Shell
Proposals are still welcome for individual
papers or panels on any subject associated with the theme of the
conference. Suggested topics include:
Anti-Catholic satire
Literary and pictorial representations of
Popes and the Papacy
Pre-Reformation and recusant culture
Diplomacy and correspondence
English Cardinals
Art and architecture
Religious controversy
The
conference will include a tour of the historic town of Lewes, from the scene of
the burnings of the 17 Lewes Marian martyrs to the remains of Lewes Priory, one
of England’s most important medieval religious houses.
300 word proposals for papers and panels
should be sent to Paul Quinn (p.l.quinn@sussex.ac.uk)
by March 1st 2013. Papers
should last for 20 minutes. Panels
should include three papers.
Monday, February 04, 2013
The Body
The third Spring 2013 Friends Lecture which will take place next
week on Tuesday, 5 February at 5.30pm in
the Kenneth Clark Lecture Theatre. Professor Rose Marie San Juan (Early
Modern Italian art and visual culture, University College London) will speak
about Wax and Bone: The Re-assemblage of the Body in Early Modern
Cabinets of Display.
Also below, you will
find a reminder of the programme for the Spring 2013 Friends Lecture Series on the subject of Visualising Knowledge in Early Modern Europe
Research Forum
The Courtauld Institute
of Art
Somerset House, Strand,
London WC2R 0RN
Tel: 020 7848 2909
Historical Dance in London
I wanted to alert you to a talk &
dance demonstration by Nonsuch History and Dance Group taking
place this Friday 8th February at the National Gallery.
Nonsuch is Britain's premier Historical Dance company, using the dances of history to teach, train and entertain since 1966. More information here http://www.nonsuchdance.co.uk/index.html
This event will examine Renaissance Dance as depicted in paintings of the period, and may be of interest to those studying Renaissance Literature, both in terms of theatrical performance and also for visual contexts (though you will of course be very welcome whatever your specialism!).
You will find a more detailed summary of the event below; tickets are £8/£6 concessions and bookable by telephone, in person or online via the National Gallery website.
I do hope some of you may join us on Friday evening.
Kind regards,
Eva Traynor
UCL English Graduate 2006 and Performer with Nonsuch Dance